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      • Home > The School

        Tai Jimenez

         Tai Jimenez, a native of New York City, began her dance training with Joan Millen Mesh and went on to study at the School of American Ballet, the Alvin Ailey American Dance Center, Laguardia High School, with Madame Gabriella Darvash and Ken Ludden. She was a member of the Dance Theatre of Harlem School Ensemble before joining DTH, where she became a Principal Dancer. Her repertory includes the title roles of Giselle and Firebird as well as numerous works by George Balanchine, and ballets by Glen Tetley, Sir Kenneth MacMillan, Sir Frederick Ashton, Bronislava Nijinska, August Bournonville, Agnes de Mille, Alvin Ailey, Alonzo King, Robert Garland, John Alleyne, Lar Lubovitch, Doug Varone, Dwight Rhoden and others. Later, Ms. Jimenez joined Boston Ballet as a Principal. There she originated a role in Mark Morris’ Up and Down, and was also seen in Val Caniparoli’s Lambarena, Jorma Elo’s Carmen, Balanchine’s Serenade and A Midsummer Night’s Dream, Nijinska’s Les Nocesand Asaf Messerer’s Spring Waters. She has appeared as a guest artist with the New York City Ballet and companies across the United States. She made her Broadway debut as Ivy Smith (Miss Turnstiles) in the 1998 revival of On the Town, directed by George C. Wolfe. Ms. Jimenez originated the roles of Fran in Maria Irene Fornes’ Letters from Cuba and Ysabel in Debbie Allen’s Soul Possessed. She was a featured dancer on the Academy Awards, the Kennedy Center Honors and in pop superstar Princes’ Rave Unto the Year 2000. Ms. Jimenez played the role of Mela in the film One Last Dance starring Patrick Swayze. The versatile Jimenez is also a teacher and choreographer. She was a choreographic assistant in the feature film The Game Plan, starring Dwayne “The Rock” Johnson. She is currently on the faculty of Harvard University, the Boston Conservatory, the Boston Arts Academy and Boston Ballet School. She has been featured on the cover of Pointe magazine, in Dance Teacher Magazine, and her writing has appeared in both Pointe and Dance Magazine.

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