Tracey, Director of Boston Ballet School, and former New York City Ballet dancer talks about her experience with George Balanchine's Coppélia.
Boston Ballet: Describe your experience dancing in Coppélia.
Margaret Tracey: I started dancing the role of one of Swanilda’s friends which allowed me to dance through all three acts. Patricia McBride was dancing Swanilda at the time, whom Balanchine created the role for at New York City Ballet. So, I learned from the best. A number of years later, I was given the opportunity to perform Swanilda. Swanilda is one of the most technically demanding roles and stretched my acting abilities beyond anything I had ever experienced.
What are the particular challenges and joys to dancing that role?
Not only is this a challenging role both artistically and technically, but Swanilda’s character is mischievous and a little bit naughty. The entire second act is an acting scene for Dr. Coppélius and Swanilda. For me personally, it was the first time I was really able to explore my acting abilities. The joy of creating her character was pure delight.
Any memories of yours that are special to this ballet?
The first time I debuted this role was about a week before I married Russell. While I’d performed stage weddings before, the timing of this debut was incredibly special as it was such a joyous time in my life.
What makes Balanchine’s Coppélia unique?
Balanchine has an incredible way of telling the story through his choreography so that the pantomime and acting are in complete harmony. His divertissements in the third act also allow every dancer on stage to show off their technical and artistic abilities.
How do the children interact with the company dancers in the ballet?
The children are part of the beautiful third act divertissements and get a tremendous amount of stage time. Not only do they dance by themselves but they really play the role of the corps de ballet for the soloists.
How do you think Boston Ballet will dance this production? What strengths does the Company have that are suited to this ballet?
This is perfect ballet for Boston Ballet as the Company has great experience performing full-length works. It will display both the technical strengths as well as challenge the dancers’ growth on many levels.
Learn more about Margaret.
