x

We’re currently experiencing technical difficulties with all Boston Ballet School registration (excluding Adult Dance Program). Thank you for your patience while we work to resolve this issue. If you have any questions please email school@bostonballet.org.

Jewels

November 6–16, 2025

TICKETS

Daniel R. Durrett, Alexandria Heath, and Chisako Oga by Ernesto Galan

Jewels

November 6–16, 2025

“If there’s a better 20th-century ballet than Jewels, I haven’t seen it.”

The Boston Globe

George Balanchine’s Jewels showcases three distinct styles of neoclassical ballet in one brilliant program. Choreographed in 1967, it was inspired by Balanchine’s visit to Claude Arpels’ jewelry showroom in New York City. The costumes were designed by legendary New York City Ballet costume designer Madame Karinska and showed the essence of each jewel. Each ballet reflects a chapter of Balanchine’s career: Diamonds honors his early years at the Mariinsky Ballet in Russia, Emeralds nods to his time with the Ballets Russes in France, and Rubies celebrates his lasting impact on American ballet with New York City Ballet. Jewels will feature live music performed by the Boston Ballet Orchestra.

Lia Cirio and Lasha Khozashvili in George Balanchine’s Emeralds ©The George Balanchine Trust by Rosalie O’Connor

Emeralds

Early in his career, Balanchine choreographed for the Ballets Russes in France. Emeralds is the French-inspired section of Jewels, and features music by the French composer Gabriel Fauré. When creating Emeralds, Balanchine was inspired by Romantic era ballets, like La Sylphide, and by French ideals, saying Emeralds represents “an evocation of France—the France of elegance, comfort, dress, perfume.”

Daniel R. Durrett and Chisako Oga by Brooke Trisolini

Rubies

In Rubies, Balanchine highlights the American influence and energy on his style. When he arrived in America, Balanchine was interested in Broadway, jazz, and the modern city style of New York. All of these qualities are shown in Rubies. It’s full of energy, with a fast, fresh feeling. The dancers wear shorter skirts and their legs extend higher. A close collaborator of Balanchine, Igor Stravinsky, composed the music, which has many twists as shown in the choreography with movement like flexed feet, angular shapes, and playful movements.

Roman Rykine and Larissa Ponomarenko in Balanchine’s Diamonds ©The George Balanchine Trust by Gene Schiavone

Diamonds

The program concludes with Diamonds, Balanchine’s tribute to the grand style of Russian Ballet. Set to music by Tchaikovsky, this ballet is full of rich and classic imperialist style. Balanchine was born and grew up in Russia, and this section was influenced by the Mariinsky Ballet and its school, where he trained. There is an impressive parade of dancers, and they move with regal symmetry, creating elegant patterns and diamond shapes. The white costumes glisten, as if in a Russian palace or a winter sky. Diamonds is a lush and glamorous conclusion to this program filled with stunning and challenging performances from Boston Ballet’s dancers.

George Balanchine by Tanaquil LeClercq ©The George Balanchine Trust

George Balanchine

“What are you waiting for? What are you saving for? Now is all there is.”
―George Balanchine

George Balanchine was one of the 20th century’s most prolific choreographers. He created more than 400 works throughout his career and is celebrated widely for his signature neoclassical style that transformed the ballet world. Born in St. Petersburg, Russia, Balanchine came to the United States in 1933, established the School of American Ballet and ultimately New York City Ballet, where he was Ballet Master and Principal Choreographer. Balanchine also played a vital role in establishing Boston Ballet, serving as artistic advisor to the Company in the early 1960s.

PERFORMANCE CALENDAR

Thursday, November 6 at 7:30 pm
Friday, November 7 at 7:30 pm
Saturday, November 8 at 7:30 pm
Sunday, November 9 at 1:30 pm
Wednesday, November 12 at 7:30 pm
Thursday, November 13 at 7:30 pm
Friday, November 14 at 7:30 pm
Saturday, November 15 at 1:30 and 7:30 pm
Sunday, November 16 at 1:30 pm

For important information about attending performances, CHECK OUT OUR FAQs.

Performance Run Time: Approximately two hours and 10 minutes, with one intermission.
Please Note:
 The music in some ballets may be loud depending on where you are sitting and your own comfort level. Please plan accordingly.

 

With Appreciation
This production of George Balanchine’s Jewels has been made possible by a generous Sponsorship Circle, including lead sponsors Pamela Avedisian, Stephanie Brown, and Katie and Paul Buttenwieser, and supporting sponsors Ashley and Jamie Harmon.

THE DETAILS (in program order)

Emeralds

Choreography

George Balanchine©The George Balanchine Trust

Music

Gabriel Fauré
Pelléas et Mélisande
Shylock

Costume Design

Karinska

Lighting Design

Brandon Stirling Baker

Staging

Sandra Jennings Eshima

Rubies

Choreography

George Balanchine©The George Balanchine Trust

Music

Igor Stravinsky
Capriccio for Piano and Orchestra

Costume Design

Karinska

Lighting Design

Brandon Stirling Baker

Staging

Sandra Jennings Eshima

Diamonds

Choreography

George Balanchine©The George Balanchine Trust

Music

Peter Ilyich Tchaikovsky
Symphony No. 3, Op. 29, D major

Costume Design

Karinska

Lighting Design

Brandon Stirling Baker

Staging

Sandra Jennings Eshima

World Premiere of Jewels

April 13, 1967, New York State Theater, New York City Ballet

Boston Ballet Premiere of Jewels

February 26, 2009, Boch Center Wang Theater, Boston

Jewels November 6–16, 2025